Links: Tokyo Game Market Attendance, Games in the Media, and a Neurosis-Inducing Neural Network

Links: Tokyo Game Market Attendance, Games in the Media, and a Neurosis-Inducing Neural Network
From gallery of W Eric Martin
• Tokyo Game Market took place on Dec. 2-3, 2017, and this was the first time that the event lasted two days. Some exhibitors rented booth space on both days, and some were present only on one day and not the other, which isn't surprising given that many exhibitors come with a small quantity of games and sell out within hours of the show opening.

Arclight, the Japanese publisher that owns Game Market, reports a visitor count of 10,000 on Sat. Dec. 2 and 8,500 on Sun. Dec. 3. To put those numbers in context, Japanese publisher Kocchiya has posted the following summary of attendance numbers from 2012 to present:




The fourth column from left shows the attendance figure for each show. The light green highlights the early year shows in Osaka or Kobe, the pink highlights the spring shows in May, and the blue highlights the autumn shows in November or December. The column at right shows the percentage increase over the same show from the previous year.

The third column from left shows the total number of exhibitors at a show: 572 on the first day of the most recent Game Market, and 497 on the second day. Each Game Market day lasts only seven hours, so seeing even a small percentage of games on hand is tough to do in that time. Nevertheless, I plan to return to TGM in 2018, with the next Tokyo show taking place on May 5-6, 2018.

From gallery of W Eric Martin
1843 is a bimonthly magazine about ideas, culture, and lifestyle published by The Economist, and in November 2017 it featured "Table-Top Generals", an article by Tim Cross that serves as an excellent introduction to modern games. An excerpt:

Quote:
One reason for the tabletop-gaming boom is simply that the products have improved. The best modern games are sociable, engaging and easy to learn, but also cerebral, intriguing and difficult to master. The slow triumph of what used to be called "nerd culture" – think smartphone gaming and "Game of Thrones" on television – has given adults permission to engage openly in pastimes that were previously looked down on as juvenile. And the increasing ubiquity of screens has, paradoxically, fuelled a demand for in-person socialising. Board gaming is another example of an old-style, analogue pastime that, far from being killed by technology, has been reinvigorated by it.

The revival began in the 1990s, says Matt Leacock, an American game designer responsible for Pandemic, as the internet began spreading into people's homes. Leacock was a programmer at Yahoo! at the time. Germany, he says, is the spiritual home of board-gaming. "For whatever reason there has always been a culture there of playing these things, of families sitting around the table at a weekend," he says. The internet helped that culture spread: "I remember we used to rely on these little hobbyist websites that would do amateur translations into English of all the new German games that were coming out," says Leacock. As with everything from Japanese cartoons to Jane Austen fandom, the internet helped bring together like-minded people all over the world.
RPG Item: Dungeon Master's Guide (D&D 5e)
RPG Item: Player's Handbook (D&D 5e)
• In October 2017, The New Yorker published an article by Neima Jahromi titled "The Uncanny Resurrection of Dungeons & Dragons" that summarizes the forty-year history of the game and its 5th Edition rebirth in a way that is 100% New Yorker. An excerpt:

Quote:
When mainstream American culture was largely about standing in a factory line, or crowding into smoke-stained boardrooms for meetings, or even dropping acid and collapsing in a field for your hundred-person "be-in," the idea of retiring to a dimly lit table to make up stories with three or four friends seemed fruitless and antisocial. Now that being American often means being alone or interacting distantly—fidgeting with Instagram in a crosswalk, or lying prone beneath the heat of a laptop with Netflix streaming over you—three or four people gathering in the flesh to look each other in the eye and sketch out a world without pixels can feel slightly rebellious, or at least pleasantly out of place.

Thirty or forty years ago, people reached through the dice-rolling mathematics of Dungeons & Dragons for a thrilling order that video games, and the world at large, couldn't yet provide. Today, the chaos of physical dice is reassuringly clunky and slow compared to the speed with which you nervously tally the likes under a Facebook post. Rejecting your feed for an evening isn't like rejecting the God-fearing community that reared you, but something heretical lingers in this lo-fi entertainment.
• Marcus Beard at UK site Best Play fed more than 80,000 games in the BoardGameGeek database into a neural network, then shared the results in an article illustrated with images seemingly shot through a Monopoly filter. An excerpt:

Quote:
[A neural network] takes a huge chunk of text and then attempts to figure out what the next character should probably be. It can then infinitely generate text that looks a lot like huge chunk you gave it — but completely original.

Of course, the ground-breaking technology was crying out to be used on the ground-breaking medium of board games. We've combed through the BBG.com database many times before, so we've got a bank of over 80,000 board game titles, ratings, details and release dates to feed into the neural network.

After six hours of training on this 4mb text file (!), here's what the brain-simulating model was able to generate:

wrote:
Park Glorie (2000) 2-4 players Rating:6
Onth & Gean (1981) 2-2 players Rating:7
Minos's Brin-Mini (2006) 2-4 players Rating:6
Munchkin Park Kings (2008) 2-4 players Rating:6
Flip' El Gays (1964) 1-7 players Rating:4
Power Grid: Fordia (2010) 2-4 players Rating:8
The Besterin Landing: Sentinels of the Alest Tente in the Dark 2 (2001) 4-10 players Rating:5
Secrets! Hall (1988) 2-4 players Rating:6
And another:

Quote:
We can make the output even more boring if we want. When the randomness is turned down all the way, the neural network chooses only the most probable set of characters to insert in the title.

wrote:
Star Wars Miniatures (2009) 2-4 players Rating:6
The Game (2009) 2-4 players Rating:6
Carcassonne: The Card Game (2009) 2-4 players Rating:6
The Card Game (2009) 2-4 players Rating:6
The Game (2009) 2-4 players Rating:6
The Game of Heroes: The Card Game The Card Game (2009) 2-4 players Rating:6
Carcassonne: The Card Game (2009) 2-4 players Rating:6
Star Wars Miniatures (2009) 2-4 players Rating:6
…and the list goes on and on in this manner. I like to imagine a world where there are only three games to choose from: The Game, The Card Card and Star Wars Miniatures. All are mechanically identical and decidedly mediocre.
From gallery of W Eric Martin
#1 on the charts, baby!

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